Wisely suggesting that there's nothing particularly special or heroic about Saul, whose blank expression suggests his soul has long since been crushed, Nemes's camera seems accidentally to find him as the film begins: Saul wanders from the distance into sharp focus (and into an almost-square, 1:33 ratio frame), like a moth to a flame. Set over 24 hours in 1944 and almost chaining itself to its lead character (so close does the camera stick to him) the film gives us Saul (Géza Röhrig), a member of the Sonderkommando – the unit of mostly Jewish prisoners forced to assist their captors with mass execution. ![]() ![]() A one-time assistant to the director Béla Tarr, 38-year-old Hungarian filmmaker László Nemes has made a staggering feature debut with 'Son of Saul', an Auschwitz-set drama that's numbing, provocative and impossible to unsee.
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